This, plus a color corrector-around my mouth area where there is a patch of unruly skin-and a concealer to tackle any spots. In the past, I’ve used one bottle for my slightly darker forehead, another for the lighter area around my cheeks. Dior’s Face and Body fared better the sheer, buildable coverage came closer to my liking, but I still needed to mix shades to get a perfect match.Īs someone who has hyperpigmentation and several different shades present on my face, I expected that I’d have to do some blending. Once the purveyor of my first holy grail foundation, Teint Innocence, a barely there luminous blend that was discontinued back in 2011, I had high hopes for Chanel but found the undertones in their lineup too tangerine for my liking-the ironically named Les Beiges left me looking like an Oompa Loompa even after a lengthy consultation with a makeup artist. Bougie as I am, I wanted to see what Chanel, Dior, and their ilk had to offer. And she was right: A glance in the mirror revealed that my skin had in fact oxidized into the color of Cheetos dust. Ill-timed beauty commentary is a sport for some salespeople, so I wanted to believe she was fooling me with the aim of getting me to buy more, but her glitter-covered face looked more concerned than judgmental. “You look a little orange,” a salesgirl at Sephora told me as I was sifting through a display filled with eyeshadow palettes and blush. I was willing to let this go, to ignore any issues or combat them by becoming more diligent about midday touch-ups-until I heard the dreaded O word. Suddenly I found little patches collecting at the sides of my nose, and my pores seemed to soak up every ounce of product I placed onto them. The favorite that once left me with a lit-from-within glow came up flat after my dermatologist prescribed new medicine that left my skin drier than usual. After years of loyally using Giorgio Armani’s Luminous Silk Foundation in the shade No. My search for a new base began by accident.
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